I can't play a thing but the radio, but I've been spoiled rotten when it
 comes to musicians and singers.
It's gotten to the point that I expect every 
one I encounter to know what they're doing--especially if someone I 
trust says, "They're good".
 
 Case in point: 
I recently sang at a vow-renewal ceremony. I was told a musician would be there. We shook hands 
across the keyboard, for the first time, about 30 minutes before the 
ceremony started. 
I told him "B flat, and I'll follow you". 
He laughed 
(‘cause apparently that’s not the way it goes, but it’s the way I 
prefer it). 
He played a little bit, and I said "That's fine". 
That was our 
rehearsal. 
It may have been a minute and a half. 
After the ceremony we 
exchanged info, realized we had mutual friends, and each hoped it 
wouldn't be our last time working together. 
He said, "If I had known who
 you were, I would have been nervous." (I always know what that means, and I have Richard Smallwood to thank for it.) 
I laughed and said, "Then, it's 
good you didn't know, because you were outstanding." 
He'd done his 
musical homework. 
I'd done mine. 
It didn't matter who either of us 
"were". 
The occasion was important. 
Pleasing the people who'd asked us to 
participate was important. 
It wasn't about us. 
It was about the music 
they wanted to hear. Apparently, they were confident that we'd get it right. They had 
experience with each of us, and were confident that we'd perform well 
together. 
He didn't have to play long for me to know that I'd be fine. 
 There would be no need to sing a cappella, nor frantically hunt for a 
performance track. 
He's on my list of fav’s now: (I won’t name names. 
You know who you are, Richard, Steve, Daryl, John, Tony, Kim, Vince, 
Mike, Joe, Kenny, David, Bryant, Glenn, Evelyn, PJ, Raymond, Derrick, Eric...oh there’s 
more...lol)
 
Am I crazy for having that kind of confidence? Maybe. But 
when I hear, "Oh, he/she's good", from people who know what "good" is, I
 believe it.
There is a particular work ethic consistently exhibited by many of 
the musicians and singers I know. There's no arrogance, boasting, or 
showboating, just skill and heart, and commitment that tells me, "When 
others were doing other things as children, these ladies and gentlemen 
were practicing. They would sing or play if no one except God was 
listening."
There's a standard, that I assumed all musicians endeavor to reach with 
respect to their own music, and especially with regard to the music of 
others. I assumed wrong. Not all musicians are as conscientious as 
others, when it comes to another musician's babies. There's a lazy, "good enough" plateau that some aim for, that keeps them from experiencing and producing excellence. They settle for "something like that" instead of making an effort to reach "what it ought to be". 
Not all musicians can
 set aside their personal preferences, and nurture what others have 
created. People who think they've already arrived don't listen, and reject the 
very pearls of wisdom that could make them better at what they do, and better people. Some are so enamored with whatever their own, existing skill set is, 
that they reject the instruction, experience, and wisdom of those who 
don't have to share, or impart, but unselfishly do. They forfeit the opportunity to
 expand their musical horizons and become limited. (A good example is 
found in the weird phenomena that I see in church settings. Again, I 
can’t play a lick, but how on Earth can a musician maneuver the 
intricate hills and valleys of "shout music" but can't play a hymn? But I
 digress....)
Everyone studies someone. 
The chance to meet and work with pioneers of Music are rare. When, by some happy musical miracle, that 
someone is in your midst--right in front of you--in the flesh, it may be
 a good idea to glean as much as you can, as opposed to trying to show 
them how much you know. If you're going to show them anything, it's that
 you bothered to study, learn, and nail their music as if your life 
depended on it. If they've made significant contributions on a legendary
 scale, you might want to act like you acknowledge that, too. 
It makes a
 difference. I've seen it. I've seen great artists smile, relax, give 
hugs all around, and be grateful and thankful that they don't have to 
worry one bit about the band. They are assured that the band is of the 
opinion that the execution of the music is important--even if, after the
 show, they never play the songs again. 
I've seen skilled singers and musicians humbly and excellently 
supporting equally skilled individuals, because they believe: 
1.There is always more to learn.
2. In a cohesive team, everyone shines.
3. Good followers make good leaders.
4. They don't always have to be out front.
5. It's an honor to get the call to support artists you've admired, or 
of whom you've been a longtime fan.
The opportunities are vast that one can be afforded simply by being 
prepared, teachable, consistent, cooperative, and having a pleasant 
attitude. No. Not every opportunity is a good one. Sometimes, you DO 
wish you'd never met certain people. You DO wish you'd never experienced
 them in person. You just hope they're having a rare bad day, and you 
look forward to the last note so you can go home. 
It's unfortunate, but 
bizarre behavior, a puffed up demeanor, or harsh, unnecessary words 
infiltrate and DO impact the way you enjoy (or used to enjoy) the music 
someone has made. 
If you got the call to support a singer or musician, that's 
great--especially if you've been singing or playing along with their 
recordings, and never dreamed you'd ever meet them (let alone be on 
stage with them). After the private geekfest, though, get into work 
mode. Respect the individuals enough to learn the music--not just 
notes--but the soul of it. My Mom always said, “Take care of what 
belongs to someone else as if it’s yours.”
Know who you’re working with.
 Google is your friend. We don’t have to go all the way to the library 
or sift through encyclopedias. Learn. Forget selfies, Instagram, food 
and drink. It's not enough to just BE on the gig, at the rehearsals, and
 engagement schmoozing, styling, and profiling, and calling your friends
 to tell them where you are. The audience doesn't care about ANY of 
that. They WILL care, however, if the music sucks. A lot of people 
apparently think so, based on what's produced, but people don't look at 
music, they LISTEN to it.
Your new black outfit, shoes, hairdo, or cut 
make no sound at all. ZERO. Sometimes, the emphasis we put on 
superficial things, makes you wonder if the outfits performers wear are 
gonna break out in 4-part harmony. By all means, look good, BE happy, do
 you, communicate with all of the musical terminology you know, and go on 
wit’ cho bad self sussin’ and bussin’, bendin’ and suspendin’, but LEARN
 THE MUSIC.
God knows I wish I hadn’t relegated my clarinet to it’s case
 years ago. I WISH I had learned how to play the piano in our home 
instead of just dusting it. Being articulate and a wiz at the 
terminology is fantastic--enviable even--but can you keep time? Can you remember lyrics? Can you hold your note? Can you let the sound man do his or her job? 
Perfect 
the music so you can have no shame or guilt about adding an artist's 
name to your resume. 
Pay attention to the music. 
For Pete's sake, get 
the music right. 
THAT'S the principal thing.